You fall for the possibility of a person
Pluto in Pisces in the 5th house puts the dissolving power into romance and creative work. What you fall for is not quite the person in front of you, it is what they could be, and the gap between the two is where every difficult experience you have had in love actually took place.
The Pisces colouring is inherited from the period rather than from you, since Pluto crosses a sign slowly and marks a whole birth span identically. Your birth time placed it in the 5th house, and that is the individual half. It aims the porousness at pleasure and what you create, which is why your imagination is unusually strong and your grip on ordinary detail is not.
The test is seeing them accurately and staying
The situation recurs: the actual person emerges, ordinary and limited, and the enchantment drops out. Leaving at that point has been the pattern. The exercise is remaining after the image goes, because what is available afterwards is the only thing that was ever real, and you have rarely stayed long enough to find out what it is like.
Read as romantic, running on projection
People experience you as unusually devoted and imaginative in love, and that is true. What is also happening is that a great deal of what you feel is about a figure you assembled. Ask them a question with a factual answer this week, since facts are the fastest available corrective and you collect almost none of them.
Where the charge collects in what you make
On atmosphere rather than on structure. What you produce carries feeling that other people cannot manufacture and frequently lacks the frame that would let anybody else find it. That is a solvable problem and it is not solved by more feeling. Borrow a structure from somewhere, deliberately, and pour the material into it.
Make the thing instead of falling for it
The same faculty that idealises a person will also produce genuine work if it is pointed at something that cannot disappoint you. Painting, music, writing, any craft where the material takes what you give it. Give it two hours a week, since without a channel the whole capacity goes into a person and the person cannot hold it.
The version of them you built
You knew who they were within a week, and what you knew was partly constructed, and you defended the construction against evidence for a long time. That is not naivety, it is how strongly your imagination works. Write down three verifiable things about the next person early, and reread them when the picture starts to glow.
Work that carries feeling other people cannot fake
In creative and caring work you produce something that genuinely moves people, and it comes from a place you cannot switch on and off to a schedule. Protect the conditions rather than trying to force the output. Learn what precedes your good days and reproduce that, since the material arrives on its own terms.
Imagination is the actual resource
You have always had somewhere to go internally, and it has carried you through periods that would have flattened other people. It is a real asset and it is also the easiest place to spend a decade. Give it an output, even a small one, since imagination with a product attached becomes a life and imagination without one becomes a refuge.
You feel what the child is feeling
With young people you pick up their state immediately and respond to it, which makes you unusually comforting to be around. It also means their distress becomes yours within seconds and you lose the steadiness they need. Name what you are picking up, silently, and then act from the adult position rather than from the shared one.
The exits are easy to reach
When things are difficult, the pull is towards something that softens the edges: a drink, a screen, sleep in the afternoon, hours somewhere else in your head. Each one works and each one costs. Notice the reaching itself rather than judging the substance, since the reaching is the information and the substance is interchangeable.